Tuesday, April 29, 2008
Friday, April 25, 2008
choreographie I „freiheit-bewegungsfreiheit
Often in Dance for Camera pieces the music is an integral part of the work. I'm fascinated by this dance partially because it is so engaging without the use of music.
Wednesday, April 23, 2008
Pizza Noir
I like this one for a few reasons. One, I identify with the main character. Not the wanting-to-make-porn part, the want-to-be-creative-but-feel-like-everything-you-come-up-with-is-derivative part. Two, it's just such an aesthetic treat to see all those styles in a short period of time - it's a sense-tickler. And I like the consistency of having them all start on the light bulb. Three, there's a remnant of the grad school refugee in me that still kvells at anything meta (within limits - I hate it when films take the approach that any pop culture reference at all makes them automatically funny and clever. It's just lazy.) Four, I love the sequence that plays over the closing credits.
These next two aren't really short films, but I'm going to be self-indulgent and add them anyway. They're short. Promise. I love the first one because of how it mocks genre expectations in a wickedly funny, yet subtle way, and because it's so meticulously done:
And this one's along the same lines - yes, more satire (odd because my favorite movies are usually dramas), but this one just has a sweetness to it (literally!) that's irresistible. There are alot of muppet parodies out there, but most of them just take the easy route of having the muppets engaging in various levels of depravity, and expect that to be funny on its own. This one is so well-crafted, the rhythm is great, and most importantly it actually uses muppet tropes to tell the story as opposed to superimposing the outside material on the muppets. And because of this, it actually pulls off some biting social commentary, in addition to being hugely enjoyable :-):
Tuesday, April 22, 2008
Saturday, April 19, 2008
Friday, April 18, 2008
Wednesday, April 16, 2008
Rachel's Favorite Video Blog (Vlog)
Photographer/Filmmaker Daniel Liss keeps a videoblog at pouringdown.tv
Some of my favorite videos are:
Neighbors
In this short clip, Daniel structures the piece with a personal voice over. The content is very emotional (death, AIDS, and the way people interact with each other) and he chooses a very definite stylistic construction. He uses seemingly simple visual elements to tell this story - shots and sounds of the rains. He uses extreme close-ups of water droplets hitting the windowsill in a sad dance, the sound of the rain droplets, emotion evoking music, and color that seems painted on the frame (using soft focus). He holds each shot for a time, seemingly slow, but the pacing perfectly matched to the eloquence of the piece. He thought about leaving flowers but didn't, instead, he leaves this post.
Theory/Practice - an entry about the theory and practice of this videoblogger's craft.
His visual style is moving. He opens with the fog resting on the outside of a building. He uses music to get us from cut to cut. He tells the narrative (taking his sleeping baby to the botanical gardens), but says "I don't point the camera and explain...". Instead, he shows us visually (he calls it "tangentially").
He varies the framing - revealing both the landscape and the details of his world. He makes a simple shot - of a pencil scratching notes on paper - so beautiful. He explains his vlog stylistically: I add music, I play with the image. Does this stop being a vlog? This is my world - this is how I see it, how I think it - I vlog it for you...
Some of my favorite videos are:
Neighbors
In this short clip, Daniel structures the piece with a personal voice over. The content is very emotional (death, AIDS, and the way people interact with each other) and he chooses a very definite stylistic construction. He uses seemingly simple visual elements to tell this story - shots and sounds of the rains. He uses extreme close-ups of water droplets hitting the windowsill in a sad dance, the sound of the rain droplets, emotion evoking music, and color that seems painted on the frame (using soft focus). He holds each shot for a time, seemingly slow, but the pacing perfectly matched to the eloquence of the piece. He thought about leaving flowers but didn't, instead, he leaves this post.
Theory/Practice - an entry about the theory and practice of this videoblogger's craft.
His visual style is moving. He opens with the fog resting on the outside of a building. He uses music to get us from cut to cut. He tells the narrative (taking his sleeping baby to the botanical gardens), but says "I don't point the camera and explain...". Instead, he shows us visually (he calls it "tangentially").
He varies the framing - revealing both the landscape and the details of his world. He makes a simple shot - of a pencil scratching notes on paper - so beautiful. He explains his vlog stylistically: I add music, I play with the image. Does this stop being a vlog? This is my world - this is how I see it, how I think it - I vlog it for you...
Welcome to the Course! / Meet Your Instructor
Welcome to the course blog for the Winter 2008 section of "Introduction to Video Production - Learning the Techniques", offered through IFP MN.
About the Instructor:
Rachel Raimist
my blog
my website
Rachel Raimist is a filmmaker, educator, community organizer and mother. She is most known for her documentary, Nobody Knows My Name, about women in hip-hop, and as co-founder of B-Girl Be: A Celebration of Women in Hip Hop at Intermedia Arts. She is the videographer/co-editor of the award-winning film Freestyle: The Art of Rhyme, which aired on VH1, and has produced, directed and edited music videos, documentaries, performance pieces and narrative videos. Her work has screened at South by Southwest, Slamdance, Women in the Director’s Chair and numerous international venues. She is the co-editor of Home Girls Make Some Noise!: Hip Hop Feminism Anthology, has written and photographed for The Source, URB, Complex, Remix, and The Amsterdam News, and is a board member of the Hip Hop Film Festival. Rachel received a BA and an MFA in Film Directing from the UCLA School of Film and Television. She has taught video production at the University of California, Irvine and Los Angeles, women of color feminisms at Macalester College, and feminist theory, feminist film studies, and rap poetry at the University of Minnesota. Currently, she is pursuing her Ph.D. in Feminist Studies from the University of Minnesota, and editing a documentary about prison poets.
About the Instructor:
Rachel Raimist
my blog
my website
Rachel Raimist is a filmmaker, educator, community organizer and mother. She is most known for her documentary, Nobody Knows My Name, about women in hip-hop, and as co-founder of B-Girl Be: A Celebration of Women in Hip Hop at Intermedia Arts. She is the videographer/co-editor of the award-winning film Freestyle: The Art of Rhyme, which aired on VH1, and has produced, directed and edited music videos, documentaries, performance pieces and narrative videos. Her work has screened at South by Southwest, Slamdance, Women in the Director’s Chair and numerous international venues. She is the co-editor of Home Girls Make Some Noise!: Hip Hop Feminism Anthology, has written and photographed for The Source, URB, Complex, Remix, and The Amsterdam News, and is a board member of the Hip Hop Film Festival. Rachel received a BA and an MFA in Film Directing from the UCLA School of Film and Television. She has taught video production at the University of California, Irvine and Los Angeles, women of color feminisms at Macalester College, and feminist theory, feminist film studies, and rap poetry at the University of Minnesota. Currently, she is pursuing her Ph.D. in Feminist Studies from the University of Minnesota, and editing a documentary about prison poets.
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